NAME: Manhal
The camera starts by zooming in to the man, to clearly hear what he has to say. This also allows the audience to identify the charterer. In the background we see a car getting stolen which begins to start the action, the camera moves with the car and the man stealing it to show the fast pace movements of the thief. The camera follows the car as it moves to show the speed and the action.
2.
The camera looks up at the man as he is seen to be superior and the hero of this scene. He is shown to be moving a fast pace and pushing people out the way as they are less important, this shows he is more significant than the others. The audience are able to see the mans facial expressions and therefore able to read his emotions of panicking and anger. The camera is at a slight angle, and handheld and jumpy when looking at everyone else to emphasise the mayhem in the others around the man.
3.
This starts by dropping down from high level to a low level to show the action-taking place, the camera is tilted slightly to give a better angle for showing the location. When the characters are running we are able to see there feet to exaggerate the speed of them moving. The camera seems to always show the main man and we are always looking up to him this gives us a sense that he has power over the position. The camera shows parts of the car before as the man is setting off to allow the audience to understand what is currently happening and to feel part of the drama. Lastly the camera is right next to the tyre, as we are able to see how fast it moves to emphasise the speed.
4.
The camera is fixed inside the car, like a tracking shot on a mid shot, so the audience feel involved in the action-taking place. The next shot is a close up of the opponent so we are able to get a sense of what is going on. The camera pans down on the market to set the location and to let us know that the car has moved on to somewhere else. The camera cuts from the action coming towards with a straight cut to the action going away from us. There is now an increasing sense of tension. The camera is fixed to the back of the car to show the sense of speed and look realistic. We see a collision between cars as the camera changes from a mid shot to long shot so that it can clearly be viewed. The audience gain a better view of the action as they see more than then they could in real life, but not from an unrealistic viewpoint.
5.
A fixed low-level shot is used to emphasis the speed of the police cars. We are also shown the faces of three musicians to show there feelings towards what is happening around them so it seems more realistic and the audience can relate to the event. A tracking shot is shown to emphasis the feelings of a fast paced action. A jump shot it shown to show another perspective view of the action and mess.
6.
The camera is handheld and the movement is jumpy to seem like we are in actually involved in the drama. The camera zooms in and out quickly on the mans face to see his expressions and we are able to get sense of his authority.
7
A fixed angle shot begins this scene as a car comes in and jumps over the hill, this is clear in this shot and it emphasises the car chase. Handheld shot that is jumpy on the mans face gives an increasing sense of pace. Cutting between different types of shots gives us a good sense of where the location is and what is happening. A fixed ending shot with the cars driving past helps to add to the speed of the action.
8.
The scene shows a close up internal shot of one of the police cars. This is done on purpose to allow the audience to here what he has to say. This also allows the audience to realise his authority and sense his power. The shot then changes to a similar the other man and shows his facial expression. This makes it evident and the audience can make a clear link between the character’s conflict and sense the tension.
The camera looks up at the man as he is seen to be superior and the hero of this scene. He is shown to be moving a fast pace and pushing people out the way as they are less important, this shows he is more significant than the others. The audience are able to see the mans facial expressions and therefore able to read his emotions of panicking and anger. The camera is at a slight angle, and handheld and jumpy when looking at everyone else to emphasise the mayhem in the others around the man.
3.
This starts by dropping down from high level to a low level to show the action-taking place, the camera is tilted slightly to give a better angle for showing the location. When the characters are running we are able to see there feet to exaggerate the speed of them moving. The camera seems to always show the main man and we are always looking up to him this gives us a sense that he has power over the position. The camera shows parts of the car before as the man is setting off to allow the audience to understand what is currently happening and to feel part of the drama. Lastly the camera is right next to the tyre, as we are able to see how fast it moves to emphasise the speed.
4.
The camera is fixed inside the car, like a tracking shot on a mid shot, so the audience feel involved in the action-taking place. The next shot is a close up of the opponent so we are able to get a sense of what is going on. The camera pans down on the market to set the location and to let us know that the car has moved on to somewhere else. The camera cuts from the action coming towards with a straight cut to the action going away from us. There is now an increasing sense of tension. The camera is fixed to the back of the car to show the sense of speed and look realistic. We see a collision between cars as the camera changes from a mid shot to long shot so that it can clearly be viewed. The audience gain a better view of the action as they see more than then they could in real life, but not from an unrealistic viewpoint.
5.
A fixed low-level shot is used to emphasis the speed of the police cars. We are also shown the faces of three musicians to show there feelings towards what is happening around them so it seems more realistic and the audience can relate to the event. A tracking shot is shown to emphasis the feelings of a fast paced action. A jump shot it shown to show another perspective view of the action and mess.
6.
The camera is handheld and the movement is jumpy to seem like we are in actually involved in the drama. The camera zooms in and out quickly on the mans face to see his expressions and we are able to get sense of his authority.
7
A fixed angle shot begins this scene as a car comes in and jumps over the hill, this is clear in this shot and it emphasises the car chase. Handheld shot that is jumpy on the mans face gives an increasing sense of pace. Cutting between different types of shots gives us a good sense of where the location is and what is happening. A fixed ending shot with the cars driving past helps to add to the speed of the action.
8.
The scene shows a close up internal shot of one of the police cars. This is done on purpose to allow the audience to here what he has to say. This also allows the audience to realise his authority and sense his power. The shot then changes to a similar the other man and shows his facial expression. This makes it evident and the audience can make a clear link between the character’s conflict and sense the tension.
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